Build grips that create angles, immobility, and high-percentage entries in gi and no-gi.
The Bottom Line
You learn to win and break grips that drive passing and guard. You get a no-gi tie-up chapter to keep control without lapels. You will not get a submission-heavy curriculum.
⚡️ Quick facts
Best for: Detail nerds
Skip if: You want subs
Tech focus: Grip Fighting, Collar Grip, No-Gi Grips
Biggest takeaway: Grips create offense
📋 Jump to a section (Click to expand)
What You'll Learn
A four-part tour of grip fighting for gi and no-gi. Learn how to get and break collar and sleeve grips, when to threaten, and how to translate grips to passing and guard. Part four covers no-gi grips from standing and ground so your control does not vanish without lapels.
Primary Techniques You'll Drill
- Grip Fighting
- Collar Grip
- Sleeve Grip
- Breaking Grips
- No-Gi Grips
- Passing Grips
Format & Level
- Instructional style: Conceptual, Drill Heavy
- Skill level: All Levels
- Format: Both
- Runtime: 1 hour and 23 minutes
- Volumes: 4
Should You Buy It?
Wait for daily deal. I started threatening earlier once I used grips to force angles instead of holding for comfort.
Why Magid Hage?
Known for strong hands and smart grips, Magid breaks down collar and sleeve control plus no-gi ties you can apply day one.
Community feedback
Here’s a summary of common feedback from platforms like Reddit’s r/bjj.
😍 Why People Love It
- Immediate upgrade to collar control and sleeve breaks.
- Helped my passing by pairing grips with knee cuts.
- No-gi section made my tie-ups less sloppy.
🤔 Common Criticisms
- Less exciting than subs; it is fundamentals.
- Some drills are repetitive by design.
- Gi focus may not interest no-gi-only players.
Smart Alternatives
- The Best of Both Worlds – Prefer tie-up systems that lead straight to attacks. (Price: $97.00, 6 vols)
Sources & References
Official listing: View Gorilla Grips on BJJ Fanatics
Additional References
Your next step
You have the breakdown, community feedback, and my final thoughts. Now it’s your move.
